Barber Pole Flanger VST

Here's another child of the "simple GUI but great sound" family of plug-ins:

The sweep of the flanged sound seems to move in only one direction (“up” or “down”) infinitely, instead of sweeping back-and-forth.

It features a simple implementation of the Barber Pole Flanging but it's best feature is when used with all the knobs set to maximum levels. With such a configuration it acts as a "re-synthesizer" giving a typical metallic Vocoder timbre to any sound filtered.

• 4 different algorithms.


• Up to 8 stages for smooth and blurry flanging.


• Independent control of depth and modulation speed.


• Manual included.


• Open Source.

Highly recommended!

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Metallic noises with AKAI S900

Hot nights have become cold and now are slowly fading to freezing. I'm not used to the new season yet so it's too early to compose music. Sampling safaris are the right activity. Like an ant at the beginning of the autumn I am storing new samples to be used during the winter...

Today I spent a nice evening in front of my AKAI S900, a sampler widely known and appreciated for its metallic timbre, dumping via MIDI a few metallic sounds.




Playing them back at different pitches with weird looping points creates some new raw materials.

A good denoising stage was required to remove the sampler background noise and to obtain some usable audio textures that I am going to share.

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Thrummaschine distortion VST

Finally a good distortion plug-in, capable of band separated modulations:



The signal is splitted in 3 adjustable bands and can be distorted quite strongly. Indeed, every band filter can be modulated with an LFO. Band can be panned freely so to transform any MONO sound in STEREO.

- 3 user-defined bands for bass, mid and high freqencies, with overlap if required
- 3 filters with tempo-sync LFO, for each freq band
- overdrive, distortion and bitcrush effects
- send level for each band to each effect
- pan and volume for each band

I got some very nice results by layering two or more instances of the plug-in in the same channel, that way the amount of controls and automation is widened.

More informations and DOWNLOAD

Building an Analog drum module

I just received everything I need to build my own Analog Drum Module:



Someone managed to convince me that by doing this I will be a even cooler musician, so here I am...digging on resistors, diodes, wires and meaningless boards!



The module is a DS7 Drum Synce (DC860)and the smaller one is a simple Gate To Trigger Converter.

The DS7 Drum Synce (DC860) is a little analog percussion synthesizer from the 80's made by CORON. This drumsynth was dedicaced to drummers : the DS7 was fixed on the border of a drum to be played/triggered by hitting the drum.

The DS7 contain a VCO +VCA chain. The VCO is modulated by a cheesy LFO and a simple decay envelope trigged by the piezzo cell pulse. The cell work as a pressure/hit sensor. It can be replaced by a jack to be used with any kind of trigg pulses or even gates. In this case the "decay" pot become a "Release" pot ... The VCA is directly controled by the envelope. The LFO can drive the VCO from slow modulation to hi-speed to produce FM like sounds.

I needed some new analog raw meat for the distortion chain... let's see how long it takes to build it :)

FerricTDS - Tape Dynamics Simulator VST

I had this FerricTDS VST .DLL sleeping in my plugins folder for a few months now. I did think it was good for whole mixes and never thought it could have any employment in industrial music.

Inspired by the smooth dynamic shaping capabilities of some high-end reel-to-reel tape recorders, this plug-in simulates three of the most distinctive and much appreciated sonic effects generated by these devices:

DYNAMICS
- gently shaping the overall dynamic response
SATURATION
- adding extra harmonic-related content
LIMITING
- controlling peak performance

But a few days ago I accidently watched a presentation video on YouTube and realized it was sounding incredibly good on snare drums:

So I spent the last weekend testing it on them and I was right: the correct sampled snare (mostly from '80 drum machines) processed with the right reverb and fed into this plug-in will produce the classic industrial snare, also the loudest ones from modern EBM.

I am going to test the plug-in on whole mix anyway, as it is said to work very well on enhancing loudness.


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Radio Effect VSTi

More VSTi noisy craziness from the Japanese website. I'm not stunned about that knowing how a strong noise culture Japan has, since it gave birth to a band like The GeroGeriGeGeGe...



This plug-in emulates the tuning of a radio set. You can load samples that will be your "stations" and tune the radio to them with the usual knob. Sounds simple, but the implementation in industrial music are wide.

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Nipponic Noise Generator VSTi

I am being totally wasted by this VSTi plug-in:



It comes from this Japanese website with no information except for a Youtube video:

Anyway any information wouldn't be very useful...as the rest of the website is written in the language of rising sun!

Good enough the author added some very detailed information on the GUI itself in the amount of... none! All we know is that there are five stages of... something with cutoffs and volumes. Four additional unnamed slider have shown to be an ADSR envelope and a "FILE" button will ask us for a .WAV to load. Our choice here is not very important as it will serve only as seed for some noise generation.

As long as a note is played the instrument sounds continuously, generating powerful metallic drones.


There are more VSTs there which look interesting. Will be posting about them also!

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